Submitted by xerogiro on November 24, 2007

• Category: Philosophy
• Words: 465
• Pages: 2
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Munich

Art and science seem to be congruent in that they are endeavouring to create what, previously, has not been there, to make visible what has never been seen, has not yet been seen or, in a way, will always be invisible.

As an artist, I am looking for shapes, forms and objects that are not repeating, re-creating or rendering what is already there. My postcard is showing some of those recently created impossible objects that I call black light objects.

The titles of these pictures (from left to right) are: "Angel, Tectonic", "The Distant Sound", and "The Grand Vehicle".

Since this postcard is offering only limited writing space, forgive me for...

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